Monthly Archives: February 2011

Tilda Swinton

One of the coolest and most beautifully talented actresses is 50 yr old British Tilda Swinton. You’re reminded of this every time you see her in a movie! Interesting fact about her: As the modern muse she is, she has two men in her life, the father of her children, Scottish painter John Byrne and also partner Sandro Kopp (a German / New Zealand painter) who she has been with for 4 yrs alongside. “I’m very fortunate. It takes some extraordinary men to make a situation like that work.” (W Magazine article)

A little deer

This would look nice on a wooden shelf somewhere …

Waris Ahluwalia

He’s cool! House of Waris is his jewelry company.

What are your three favorite New York nightlife spots or restaurants? Omen, Bar Pitti, Rubirosa, Cafe Cluny, St. Ambroeus—how can I just pick three?

Who are your favorite NYC based artists, past or present? Rene Ricard, Dustin Yellin, Jose Parla, Wes Lang, and Scott Campbell.

Which NYC based fashion designers, past or present, continually inspire you? I enjoy watching the evolution of Timo Weiland, Bibhu Mohapatra, Maria Cornejo and Elise Overland.

Photography by Stefani Pappas. Interview and story via Stylecaster. Ps. Yes you saw him in Wes Anderson’s The Darjeeling Limited


Amazingly beautiful print on the dress from Rodarte’s FW2011 show just held in New York.

Top image by Sonny Vandevelde for DANSK, bottom image from

Monday treat

LA rule # 1: It’s very important to spoil yourself on mondays. For example with a cake by Sadaharu Aoki.

Image via.

Here comes the sun

Love this number by The Beatles and love its promisses … if only! When it happens, I’ll be wearing these sunglasses by Valentino.

Rare photo by The Beatles from before they were famous by Tony Barrow/Scopefeatures

John Stezaker

Going to London later this week, Im lucky enough to collide with a showing of work by great artist John Stezaker (b. 1949) More about the exhibition here. Love the surreal, dreamy and macabre tone in his collages.

“The contrast at the heart of these works [by Stezaker] is not between represented and real, but between the unknowing primitives of popular culture and the conscious, ironic artist and viewer of post-modern images.”